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Ridley Scott's Blade Runner IS science fiction! From the first
moments, flying over a stunning 2019 Los Angeles to the sound of
majestic Vangelis music, we are transported to a world of Replicants,
Blade Runners, action, desperation and the undying question of "What
is human?"
Deckard {Harrison Ford} is the Blade Runner, a detective in special
police department Rep-Detect. Their aim - to find renegade Replicants,
(advanced genetically created androids), and terminate them, because
Reps are not allowed on Earth. Thing is, Deckard is "retired"
...
Five Reps have captured a shuttle and returned from the Off-World
Colonies to find their "creator" on Earth. He is Dr Eldon
Tyrell {Joe Turkel}, head of one of the most powerful corporations
on the planet and genius bio-engineer. What do these Reps want?
Simple, they have been created as slaves with a limited lifespan
- all they want is a longer life and a chance to live it.
Blade Runner Holden {Morgan Paull} underestimates the new Nexus-6
Replicant Leon {Brion James} and ends up almost dead. So, Captain
Bryant {M. Emmet Walsh} forces his best Blade Runner back on the
case - Deckard. His first task - to go to the Tyrell corporation
to meet the new Replicant experiment and test it using the Voight-Kampff
machine. She is Rachael {Sean Young} ... and she thinks she's human.
So begins this magnificent movie. We follow the Replicants, particularly
the enigmatic Roy Batty {Rutger Hauer}, as they seek answers. We
watch Deckard as he searches out the Reps. Can we empathize with
Rachael who is cast out by her maker? Can Deckard? As we follow
the scenes through a dark, oppressive cityscape, (like a wet Hong
Kong on a bad day), we start to wonder if we are really sure about
who the bad guys are, what is the difference between Human and Replicant
and even whether the hunter himself is just like the hunted?
Are artificial beings indicated by reflecting eyes? Does Deckard's
unicorn dream, (cut by foolish producers and reinstated for the
1992 Director's Cut), link to Gaff's {Edward James Olmos} unicorn
origami "visiting card" at the end? Is Gaff colleague
or keeper? Our memories are played with and even when the Director
himself tells us the nature of Deckard, can we be sure he's not
still playing with us?
Ridley Scott created a masterpiece of cinema that many have tried
to emulate since. He had some great help, particularly Douglas Trumbull,
who worked on a few of our Top 100 films! Blade Runner is one of
the most influential films ever made and as time passes, seems to
be increasingly prophetic of the world in which we now find ourselves.
The Director's cut of 1992 removed the artificial voiceover, reinstated
the unicorn dream and removed the ridiculous happy ending - all
changes originally enforced by nervous producers pandering to a
midstream US test audience. But as fans will know, even this DC
was rushed through. The Special Edition will be the final word,
but seems terminally bogged down in legal issues.
It is strange that some critics still insist on referring to this
as a "cult movie" when, for example, in the UK's favourite
BBC TV programme on the movies, (Film '99 at the time), the British
viewers voted Blade Runner as their second favourite movie of the
twentieth century, (just after Star Wars). That is no fluke as it
figures highly in many other reviews and is even rated by the BFI
and the AFI as one of the most influential films of all time. Some
critics may not like the fact that Science Fiction movies can be
so mainstream, but we at SFTV.info know its true!
Harrison Ford and Ridley Scott had their disagreements, but in
our opinion, this is still one of Ford's best movies, (and he's
played a few good parts!). Even so, he is outshone by a stunning
performance by Rutger Hauer. The special effects and city models
are superior to many films made two decades later. With all of this
and the fundamental questions of life included, Doctor SciFi has
no hesitation in putting this right at the top of the SFTV.info Top
100 List. The most "must see" of all "must see"
films.
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