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Humanity may start just by fixing faults in our bodies, such as
by using a hearing aid, inserting a pacemaker, or replacing a limb.
People get cosmetic surgery to change their appearance. How long
will it be before people start getting bio-mechanical enhancements?
Once a person's abilities are extended beyond normal human ability,
they become a cyborg. Over time, however, this becomes commonplace
in society. Now, there comes a point where you have so many artificial
parts, the only difference between you and a machine is that you
have a soul - your Ghost in your machine Shell.
What happens when a brilliant hacker starts hacking human Ghosts?
Who is the Puppet Master? The people are becoming machines and memories
are becoming suspect - add to the mix a computer program that becomes
self-aware. The edges blur as we get closer to Singularity.
The year is 2029 - Major Kusanagi is the super-cyborg who has to
find the Puppet Master. Taken from the manga (comic), but obviously
also heavily inspired by Blade
Runner, we are transported to a gorgeously animated Hong Kong
of the future where we are asked, "What makes us human",
and other big questions. A game of cat and mouse is played out between
humans, computers and machines where the prize is nothing less than
the human soul.
Mamoru Oshii, known before this for the Patlabor series, brings
us Japanese animation to match Akira, with a cerebral storyline
that asks serious questions and gives us plenty to think about.
The plot is complex and so encourages repeat viewings of the film
- something we are glad to do!
Hisao Shirai took his cinematography even further after this with
Perfect Blue. Oshii and Itô have collaborated again to make
Avalon.
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